May 2014 | Udder Belly, Southbank, London
For over 20 years Gandini Juggling has been experimenting and innovating contemporary circus with a background in juggling, mathematics, rhythmic gymnastics and inspired-by-Pina-Bausch. It’s not just about what they juggle – it’s how they do it, what rhythms and detailed movements they adopt, what games they play and how they test themselves. Smashed! is a series of vignettes of nine performers and loads of apples. And a tea set.
Juggling has proved to be an exceptional device in ensemble training and Smashed! gloriously demonstrates this through concentration, tension, clowning, structures and chaos, alternating dynamic and static moments that are all present and the audience are drawn into endless mathematical patterns and games. I would confidently use Gandini Juggling as an example of Lecoq’s complicité or Meyerhold’s essential rhythm, which he believed was the most important element of theatre and created it from the very beginning with the mise-en-scène. Having argued that complicité can’t come spontaneously (despite many a teacher’s claims to the contrary), there had to be a structure and established rhythm. Skipping was the best example, at least over endless exercises with partners trying to compel one other to do something, with complicité, from nothing – until now. The audience also feel this hyper-awareness and the show is all the more compelling for it. Old-fashioned popular music is used throughout (seemingly to echo the point about Meyerhold) and the cast did very well to continue while a low flying helicopter decided to linger over Southbank covering all the sound for a few minutes (the show was also forced to share the venue with a considerably less professional band elsewhere in the tent.)