June 2014 | HKICC Lee Shau Kee School of Creativity
I remember the first time I was going to create a performance in a theatre with a revolve. We spent several months working with all of the latest revolve techniques, and hired a revolve designer and a group of donkeys who could rotate the revolve at a variety of different speeds – some faster and more nauseating than anyone had ever before witnessed – to create different moods and atmospheres. With only one week to go before the performance, we realised that we had accidentally failed to create any material to perform on this, it must be said, gloriously rotating platform. We did what any group of experienced theatre artists would do in such a situation, and hired two dancers to make up some contact impro on the revolve (as it rotated beautifully) so that the audience would know where to look. The revolve work was outstandingly accurate, with at least four different speeds of rotation. Afterwards when the donkeys and their handlers came out on stage they received a standing ovation, and we took our rightful place at the forefront of contemporary theatre technology.