The Possible Impossible House | Forced Entertainment

December 2014 | Barbican Pit Theatre

Forced Entertainment offer their first show for young audiences, and while their trademark performance style and signature elements remain true to form the piece lacks the relevant adjustments for a more demanding audience.

The story itself carries the audience through a strange house while ‘you’ search for a lost doodle-drawn spider for a small drawn girl in a book. Throughout the journey we confront various creatures, birds, dancing soldiers and a rhino among many, all projected with semi-crude drawings onto cardboard which, combined with a keyboard and microphone has a rough but imaginative quality that can often be more successful than fully realised set pieces (like the brilliant Het Filaal’s Miss Ophelia). Rambling through this world has the quirky substance of a child telling a story: why a Rhino? Why did the mouse give a pointless key, isn’t that a hole in the story?
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Henry IV Parts 1 and 2 | Royal Shakespeare Company

December 2014 | Barbican Theatre

The RSC with Gregory Doran continue the History Plays series at the Barbican following last years successful Richard II. Henry’s powerful former allies revolt against him in the messy aftermath of Richard’s abdication and murder. It’s the usual affair of armour and chivalry common with the traditional RSC productions popular amongst tourists and regulars but it falls short of the excitement and flair of a realised Shakespeare piece and feels more like the stiff, archaic performance in a static, formulaic manner that feels REALLY long (something which figures like John Barton worked hard to overcome.) This review will attempt to emulate this verily; prepare for nit-picking in a blandly structured essay.
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